Daniel 3:1–3:30

Daniel 3:1 1. Nebuchadnezzar the king made an image of gold, whose height was threescore cubits, and the breadth thereof six cubits: he set it up in the plain of Dura, in the province of Babylon. 1. Nebuchadnezer rex fecit imaginem ex auro, altitudo ejus cubitorum sexaginta, latitudo cubitorum sex: erexit eam in planitie Dura, [168] in provincia Babylonis. Very probably [13]this statue was not erected by King Nebuchadnezzar within a short period, as the Prophet does not notice how many years had passed away; for it is not probable that it was erected within a short time after he had confessed the God of Israel to be the Supreme Deity. Yet as the Prophet is silent, we need not discuss the matter. Some of the rabbis think this statue to have been erected as an expiation; as if Nebuchadnezzar wished to avert the effect of his dream by this charm, as they say. But their guess is most frivolous. We may inquire, however, whether Nebuchadnezzar deified himself or really erected this statue to Bel the principal deity of the Chaldeans, or invented some new-fangled divinity? Many incline to the opinion that he wished to include himself in the number of the deities, but this is not certain -- at least I do not think so. Nebuchadnezzar seems to me rather to have consecrated this statue to some of the deities; but, as superstition is always joined with ambition and pride, very likely Nebuchadnezzar was also induced by vain glory and luxury to erect this statue. As often as the superstitious incur expense in building temples and in fabricating idols, if any one asks them their object, they immediately reply -- they do it in honor of God! At the same time they are all promoting their own fame and reputation. All the superstitious reckon God's worship valueless, and rather wish to acquire for themselves favor and estimation among men. I readily admit this to have been Nebuchadnezzar's intention, and indeed I am nearly certain of it. But at the same time some pretense to piety was joined with it; for he pretended that he wished to worship God. Hence, also, what I formerly mentioned appears more clear, namely, -- King Nebuchadnezzar was not truly and heartily converted, but rather remained fixed in his own errors, when he was attributing glory to the God of Israel. As I have already said, that confession of his was limited, and he now betrays what he nourished in his heart; for when he erected the statue he did not return to his own natural disposition, but; rather his impiety, which was hidden for a time, was then detected. For that remarkable confession could not be received as a proof of change of mind. All therefore would have said he was a new man, if God had not wished it to be made plain that he was held bound and tied by the chains of Satan, and was still a slave to his own errors. God wished then to present this example to manifest Nebuchadnezzar to be always impious, although through compulsion he gave some glory to the God of Israel. Footnotes: [168] Some make this word a noun appellative, and translate it, "habitable land," but the following translation is more correct: -- He placed an image on the plains of Dura. -- Calvin. PRAYER. Grant, Almighty God, since our minds have so many hidden recesses that nothing is more difficult than thoroughly to purge them from all fiction and lying, -- Grant, I say, that we may honestly examine ourselves. Do thou also shine upon us with the light of thy Holy Spirit; may we truly acknowledge our hidden faults and put them far away from us, that thou mayest be our only God, and our true piety may obtain the palm of thine approbation. May we offer thee pure and spotless; worship, and meanwhile may we conduct ourselves in the world with a pure conscience; and may each of us be so occupied in our duties as to consult our brother's advantage as well as our own, and at length be made partakers of that true glory which thou hast prepared for us in heaven through Christ our Lord. -- Amen.

Nebuchadnezzar the king made {a} an image of gold, whose height was threescore cubits, and the breadth thereof six cubits: he set it up in the plain of Dura, in the province of Babylon. (a) Under pretence of religion, and holiness in making an image to his idol Bel, he sought his own ambition and vain glory: and this declares that he was not touched with the true fear of God before, but that he confessed him on a sudden motion, as the wicked when they are overcome with the greatness of his works. The Greek interpreters write that this was done eighteen years after the dream, and as may appear, the King feared lest the Jews by their religion should have altered the state of his commonwealth: therefore he meant to bring all to one type of religion, and so rather sought his own peace than God's glory.

Nebuchadnezzar the king made an image of gold, whose height [was] threescore cubits, [and] the breadth thereof six cubits: he set it up in the plain of Dura, in the province of Babylon. Nebuchadnezzar the king made an image of gold. — Having taken Tyre, which was that great service spoken of in Ezekiel 29:18 , subdued Egypt, which was his pay for his pains at Tyre, and overthrown Nineveh, as Nahum had foretold, he was so puffed up with his great success that he set up this monstrous statue of himself, to be adored by all on pain of death. That it was his own image which he here erected for such a purpose, as did also afterwards Gaius Caligula, the Roman emperor, it is gathered, (1.) Because he did not worship it himself; (2.) Because Daniel 3:12 it is distinguished from his gods; (3.) Because this was long since foretold of him, Isaiah 14:14 that, Lucifer-like, he should take upon him as a god; which because he did, he was worthily turned agrazing among beasts. Daniel 4:33 Meanwhile, take notice here of the inconstant and mutable disposition of this proud prince as to matter of religion. Velox oblivio est veritatis, saith Jerome; The truth is soon forgotten. Nebuchadnezzar, who so lately had worshipped a servant of God as a god, and not being suffered to do so, declared for the one only true God, and advanced his servants to places of greatest preferment, is now setting up idolatry in despite of God, and cruelly casting into the fire those whom he had so exalted, because they dissented. Daniel, it is likely, withstood this ungodly enterprise so far as be might, and left the rest to God. Whose height was threescore cubits. — The ordinary cubit is a foot and half; but the Babylonian cubit, saith Herodotus, was three fingers greater than the common cubit; so that this image might be sixty-seven ordinary cubits high. The Rhodian Colosse was larger yet than this; for it was fourscore cubits high, made of brass in the form of a man, standing with his two legs striding over a haven, under which ships with their sails and masts might pass. Plin., lib. xxxiv, cap. 7. The little finger of it was as large as an ordinary man, being the work of twelve years, made by Chares of Lindum, and worthily reckoned for one of the world’s seven wonders. It was afterwards sold to a Jew, who loaded nine hundred camels with the brass of it; for it had been thrown down by an earthquake. Theop. Pezel., Mell. Hist. This image of Nebuchadnezzar was thus great, to affect the people with wonderment - so they "wondered after the beast" Revelation 13:3 - and thus glorious, gilded at least, if not of solid gold, to perstringe their senses, and with exquisite music to draw their affections. The Papacy is in like sort an alluring, tempting, bewitching religion. Jerome compareth heresy to this golden image; Irenaeus worldly felicity, which the devil enticeth men to admire and adore. He set it up in the plain of Dura. — In a pleasant plain, mentioned also by Ptolemy Geog., lib. vi. the geographer, quo statua commendatior habeatur, that it might be the more regarded.

Nebuchadnezzar the king made an image of gold,.... Not of solid gold; but either of a plate of gold, and hollow within; or of wood overlaid with gold; for otherwise it must have took up a prodigious quantity of gold to make an image of such dimensions as follow; this be ordered his statuaries or workmen to make for him; whether this image was for himself, or his father Nabopolassar, or for his chief god Bel, or as a new deity, is not easy to say; however, it was made for religious worship: the reasons that moved him to it cannot be ascertained; it might be out of pride and vanity, and to set forth the glory and stability of his monarchy, as if be was not only the head of gold, but as an image all of gold; and to contradict the interpretation of his dream, and avert the fate of his empire signified by it; or to purge himself from the jealousies his subjects had entertained of him, of relinquishing the religion of his country, and embracing the Jewish religion, by his praise of the God of Israel, and the promotion of Jews to places of trust and honour; or this might be done by the advice of his nobles, to establish an uniformity of religion in his kingdom, and to prevent the growth of Judaism; and it may be to lay a snare for Daniel and his companions; of which we have an instance of the like kind in chapter six. When this image was made is not certain; some think in a short time after his dream before related; if so, he soon forgot it, and the God that had revealed it. The Septuagint and Arabic versions place it in the eighteenth year of his reign; and some are of opinion that it was after his victories over the Jews, Tyre, Egypt, and others; and that being flushed therewith, in the pride of his heart, ordered this image to be made; and out of the spoils he brought with him from the various countries he had conquered. Mr. Whiston (u) places this fact in the year of the world 3417 A.M., and before Christ 587; and so Dr. Prideaux (w), who makes it to be in the eighteenth year of Nebuchadnezzar, agreeably to the above versions. Mr. Bedford (x) puts it in the year before Christ 585: whose height was threescore cubits, and the breadth thereof six cubits; a common cubit being half a yard, it was thirty yards high, and three yards broad; but Herodotus (y) says the king's cubit in Babylon was three fingers larger than the usual one; and, according to that, this image must be thirty five yards high, and three yards and a half broad; but since there is so great a disproportion between the height and breadth, some have thought that the height includes the pedestal on which it stood; and, allowing twelve cubits for that, the height of the image was forty six cubits. Diodorus Siculus (z) makes mention of a statue of gold in the temple of Belus, which Xerxes demolished, which was forty feet high, and contained a thousand Babylonish talents of gold, which, at the lowest computation, amounts to three millions and a half of our money; which image Doctor Prideaux (a) conjectures was this image of Nebuchadnezzar's; but this seems not likely, since the one was between thirty and forty yards high, the other but thirteen or fourteen; the one in the plain of Dura, the other in the temple of Bel: he set it up in the plain of Dura, in the province of Babylon; that so it might be seen of all, and there might be room enough for a vast number of worshippers together. The Septuagint version calls this place the plain of Deeira, which some take to be the Deera of Ptolemy (b); but that is in the province of Susiana; rather this is Duraba (c), which he places near the river Euphrates, in the province of Babylon. Aben Ezra says, this is the place where the children of Ephraim fell, and where the Chaldeans slew the Jews when they came into captivity. In the Talmud (d) it is said, "from the river Eshal unto Rabbath is the valley of Dura;'' in Arabic, "dauro" signifies "round"; it was a round valley. The Jews have a notion that this was the valley in the land of Shinar where the tower of Babel was built; and observe, that "although the design of that generation was not accomplished, yet after their times their punishment was made manifest, in that they said, "let us make us a name", Genesis 11:4 for Nebuchadnezzar having wasted and subverted many kingdoms, and destroyed the sanctuary, thought it possible to put in execution the wicked design of the age of the dispersion; hence it is said, Daniel 3:1 , "King Nebuchadnezzar made an image, &c. and set it up", , "in the valley of generation", in the province of Babylon, which is the valley spoken of in Genesis 11:2 what therefore they could not do, he attempted to do; hence he gathered all the people to worship the image, which agrees with Genesis 11:4 , for he put a certain vessel of the vessels of the temple on the mouth of it (the image), on which was engraven the divine name, that he might render ineffectual the intention of the dispersed generation but the Scripture says, Jeremiah 51:44 , "and I will punish Bel in Babylon, and I will bring forth out of his mouth that which he hath swallowed up, and the nations shall not flow together any more unto him"; for Daniel came and caused that vessel that was swallowed to be taken out of the mouth of the image, whence it fell, and was broke to pieces, which is the same as that in Genesis 11:4 (e).'' (u) Chronological Tables, cent. 10. (w) Connexion, &c. par 1. B. 2. p. 87. (x) Scripture Chronology, p. 709. (y) Clio, sive l. 1. c. 178. (z) Bibliothec. Hist. I. 2. p. 98. Ed. Rhod. (a) Connexion, &c. par. 1. B. 2. p. 103. (b) Geograph. l. 6. c. 3.((c) lbid. l. 5. c. 20. (d) T. Bab. Sanhedrin, fol. 92. 2.((e) Kabala Denudata, par. 1. p. 671.

In the height of the image, about thirty yards, probably is included a pedestal, and most likely it was only covered with plates of gold, not a solid mass of that precious metal. Pride and bigotry cause men to require their subjects to follow their religion, whether right or wrong, and when worldly interest allures, and punishment overawes, few refuse. This is easy to the careless, the sensual, and the infidel, who are the greatest number; and most will go their ways. There is nothing so bad which the careless world will not be drawn to by a concert of music, or driven to by a fiery furnace. By such methods, false worship has been set up and maintained.

CHAPTER 3 Da 3:1-30. Nebuchadnezzar's Idolatrous Image; Shadrach, Meshach, and Abed-nego Are Delivered from the Furnace. Between the vision of Nebuchadnezzar in the second chapter and that of Daniel in the seventh, four narratives of Daniel's and his friends' personal history are introduced. As the second and seventh chapters go together, so the third and sixth chapters (the deliverance from the lions' den), and the fourth and fifth chapters. Of these last two pairs, the former shows God's nearness to save His saints when faithful to Him, at the very time they seem to be crushed by the world power. The second pair shows, in the case of the two kings of the first monarchy, how God can suddenly humble the world power in the height of its insolence. The latter advances from mere self-glorification, in the fourth chapter, to open opposition to God in the fifth. Nebuchadnezzar demands homage to be paid to his image (Da 3:1-6), and boasts of his power (Da 4:1-18). But Belshazzar goes further, blaspheming God by polluting His holy vessels. There is a similar progression in the conduct of God's people. Shadrach, Meshach, and Abed-nego refuse positive homage to the image of the world power (Da 3:12); Daniel will not yield it even a negative homage, by omitting for a time the worship of God (Da 6:10). Jehovah's power manifested for the saints against the world in individual histories (the third through sixth chapters) is exhibited in the second and seventh chapters, in world-wide prophetical pictures; the former heightening the effect of the latter. The miracles wrought in behalf of Daniel and his friends were a manifestation of God's glory in Daniel's person, as the representative of the theocracy before the Babylonian king, who deemed himself almighty, at a time when God could not manifest it in His people as a body. They tended also to secure, by their impressive character, that respect for the covenant-people on the part of the heathen powers which issued in Cyrus' decree, not only restoring the Jews, but ascribing honor to the God of heaven, and commanding the building of the temple (Ezr 1:1-4) [Auberlen]. 1. image—Nebuchadnezzar's confession of God did not prevent him being a worshipper of idols, besides. Ancient idolaters thought that each nation had its own gods, and that, in addition to these, foreign gods might be worshipped. The Jewish religion was the only exclusive one that claimed all homage for Jehovah as the only true God. Men will in times of trouble confess God, if they are allowed to retain their favorite heart-idols. The image was that of Bel, the Babylonian tutelary god; or rather, Nebuchadnezzar himself, the personification and representative of the Babylonian empire, as suggested to him by the dream (Da 2:38), "Thou art this head of gold." The interval between the dream and the event here was about nineteen years. Nebuchadnezzar had just returned from finishing the Jewish and Syrian wars, the spoils of which would furnish the means of rearing such a colossal statue [Prideaux]. The colossal size makes it likely that the frame was wood, overlaid with gold. The "height," sixty cubits, is so out of proportion with the "breadth," exceeding it ten times, that it seems best to suppose the thickness from breast to back to be intended, which is exactly the right proportion of a well-formed man [Augustine, The City of God, 15.26]. Prideaux thinks the sixty cubits refer to the image and pedestal together, the image being twenty-seven cubits high, or forty feet, the pedestal thirty-three cubits, or fifty feet. Herodotus [1.183] confirms this by mentioning a similar image, forty feet high, in the temple of Belus at Babylon. It was not the same image, for the one here was on the plain of Dura, not in the city.Nebuchadnezzar setting up an image commandeth all persons to worship it, Daniel 3:1-7 . Shadrach, Meshach, and Abednego are accused of disobeying the command, Daniel 3:8-12 . The king threateneth them; their resolute answer, Daniel 3:13-18 . They are cast into the fiery furnace, Daniel 3:19-23 . God delivereth them unhurt out of it, which Nebuchadnezzar seeing blesseth God, and acknowledgeth his power, Daniel 3:24-29 . Their advancement, Daniel 3:30 . This daring sin of Nebuchadnezzar was aggravated many ways, by the greatness of the kingdom and majesty God had given him, by the late discovery made to him when Daniel interpreted his dream, by his conviction and confession upon it of that great God and his sovereign power: this is the height of ingratitude, arguing his carriage before to be only a fit of astonishment, without the least change upon his heart. The vast proportion of the statue, or idol, was to show his greatness by the height and bulk of it, and his pride and magnificence in the richness of it, seeing it was of gold, and to be a monument to posterity of his famous exploits. Some give this reason, that he might seem hereby to avert the fate of his empire, foretold by Daniel, and declare himself sole monarch of the world, or head of gold, because he made it of gold, whether massy, or plated, or gilded, matters not. Likewise that he might seem no ways to be inclined to the Jews, or their religion, whereof the Chaldeans might be jealous, seeing he had owned their God to be greatest, and had preferred Daniel and his friends to great honours. Nebuchadnezzar assured his wise men and nobles that he would still maintain the old established religion, without innovation or mixture: so Mald, Menochius, Geierus: that they had a spite against the Jews is clear, Daniel 3:8 ,12 .

Nebuchadnezzar the king made an image of gold - The time when he did this is not mentioned; nor is it stated in whose honor, or for what design, this colossal image was erected. In the Greek and Arabic translationns, this is said to have occurred in the eighteenth year of Nebuchadnezzar. This is not, however, in the original text, nor is it known on what authority it is asserted. Dean Prideaux (Consex. I. 222) supposes that it was at first some marginal comment on the Greek version that at last crept into the text, and that there was probably some good authority for it. If this is the correct account of the time, the event here recorded occurred 587 b.c., or, according to the chronology of Prideaux, about nineteen years after the transaction recorded in the previous chapter. Hales makes the chronology somewhat different, though not essentially. According to him, Daniel was carried to Babylon 586 b.c., and the image was set up 569 b.c., making an interval from the time that he was carried to Babylon of seventeen years; and if the dream Daniel 2 was explained within three or four years after Daniel was taken to Babylon, the interval between that and this occurrence would be some thirteen or fourteen years. Calmet makes the captivity of Daniel 602 years before Christ; the interpretation of the dream 598; and the setting up of the image 556 - thus making an interval of more than forty years. It is impossible to determine the time with certainty; but allowing the shortest-mentioned period as the interval between the interpretation of the dream Daniel 2 and the erection of this statue, the time would be sufficient to account for the fact that the impression made by that event on the mind of Nebuchadnezzar, in favor of the claims of the true God Daniel 2:46-47 , seems to have been entirely effaced. The two chapters, in order that the right impression may be received on this point, should be read with the recollection that such an interval had elapsed. At the time when the event here recorded is supposed by Prideaux to have occurred, Nebuchadnezzar had just returned from finishing the Jewish war. From the spoils which he had taken in that expedition in Syria and Palestine, he had the means in abundance of rearing such a colossal statue; and at the close of these conquests, nothing would be more natural than that he should wish to rear in his capital some splendid work of art that would signalize his reign, record the memory of his conquests, and add to the magnificence of the city. The word which is here rendered "image" (Chaldee צלם tselēm - Greek εἰκόνα eikona), in the usual form in the Hebrew, means a shade, shadow; then what shadows forth anything; then an image of anything, and then an "idol," as representing the deity worshipped. It is not necessary to suppose that it was of solid gold, for the amount required for such a structure would have been immense, and probably beyond the means even of Nebuchadnezzar. The presumption is, that it was merely covered over with plates of gold, for this was the usual manner in which statues erected in honor of the gods were made. See Isaiah 40:19 . It is not known in honor of whom this statue was erected. Grotius supposed that it was reared to the memory of Nabopolassar, the father of Nebuchadnezzar, and observes that it was customary to erect statues in this manner in honor of parents. Prideaux, Hales, the editor of the "Pict. Bible," and most others, suppose that it was in honor of Bel, the principal deity worshipped in Babylon. See the notes at Isaiah 46:1 . Some have supposed that it was in honor of Nebuchadnezzar himself, and that he purposed by it to be worshipped as a god. But this opinion has little probability in its favor. The opinion that it was in honor of Bel, the principal deity of the place, is every way the most probable, and this derives some confirmation from the well-known fact that a magnificent image of this kind was, at some period of his reign, erected by Nebuchadnezzar in honor of this god, in a style to correspond with the magnificence of the city. The account of this given by Herodotus is the following: "The temple of Jupiter Belus, whose huge gates of brass may still be seen, is a square building, each side of which is two furlongs. In the midst rises a tower, of the solid depth and height of one furlong; upon which, resting as upon a base, seven other lesser towers are built in regular succession. The ascent is on the outside; which, winding from the ground, is continued to the highest tower; and in the middle of the whole structure there is a convenient resting place. In the last tower is a large chapel, in which is placed a couch, magnificently adorned, and near it a table of solid gold; but there is no statue in the place. In this temple there is also a small chapel, lower in the building, which contains a figure of Jupiter, in a sitting posture, with a large table before him; these, with the base of the table, and the seat of the throne, are all of the purest gold, and are estimated by the Chaldeans to be worth eight hundred talents. On the outside of this chapel there are two altars; one is gold, the other is of immense size, and appropriated to the sacrifice of full-grown animals; those only which have not yet left their dams may be offered on the golden altar. On the larger altar, at the anniversary festival in honor of their god, the Chaldeans regularly consume incense to the amount of a thousand talents. There was formerly in this temple a statue of solid gold twelve cubits high; this, however, I mention from the information of the Chaldeans, and not from my own knowledge." - Clio, 183. Diodorus Siculus, a much later writer, speaks to this effect: "Of the tower of Jupiter Belus, the historians who have spoken have given different descriptions; and this temple being now entirely destroyed, we cannot speak accurately respecting it. It was excessively high; constructed throughout with great care; built of brick and bitumen. Semiramis placed on the top of it three statues of massy gold, of Jupiter, Juno, and Rhea. Jupiter was erect, in the attitude of a man walking; he was forty feet in height; and weighed a thousand Babylonian talents: Rhea, who sat in a chariot of gold, was of the same weight. Juno, who stood upright, weighed eight hundred talents." - B. ii. The temple of Bel or Belus, in Babylon, stood until the time of Xerxes; but on his return from the Grecian expedition, he demolished the whole of it, and laid it in rubbish, having first plundered it of its immense riches. Among the spoils which he took from the temple, are mentioned several images and statues of massive gold, and among them the one mentioned by Diodorus Siculus, as being forty feet high. See Strabo, lib. 16, p. 738; Herodotus, lib. 1; Arrian "de Expe. Alex." lib. 7, quoted by Prideaux I. 240. It is not very probable that the image which Xerxes removed was the same which Nebuchadnezzar reared in the plain of Dura - compare the Introduction to this chapter, Section I. VII. (a); but the fact that such a colossal statue was found in Babylon may be adduced as one incidental corroboration of the probability of the statement here. It is not impossible that Nebuchadnezzar was led, as the editor of Calmet's "Dictionary" has remarked (Taylor, vol. iii. p. 194), to the construction of this image by what he had seen in Egypt. He had conquered and ravaged Egypt but a few years before this, and had doubtless been struck with the wonders of art which he had seen there. Colossal statues in honor of the gods abounded, and nothing would be more natural than that Nebuchadnezzar should wish to make his capital rival everything which he had seen in Thebes. Nor is it improbable that, while he sought to make his image more magnificent and costly than even those in Egypt were, the views of sculpture would be about the same, and the "figure" of the statue might be borrowed from what had been seen in Egypt. See the statues of the two celebrated colossal figures of Amunoph III standing in the plains of Goorneh, Thebes, one of which is known as the Vocal Memnon. These colossi, exclusive of the pedestals (partially buried), are forty-seven feet high, and eighteen feet three inches wide across the shoulders, and according to Wilkinson are each of one single block, and contain about 11,500 cubic feet of stone. They are made of a stone not known within several days' journey of the place where they are erected. Calmet refers to these statues, quoting from Norden. Whose height was threescore cubits - Prideaux and others have been greatly perplexed at the "proportions" of the image here represented. Prideaux says on the subject (Connections, I. 240, 241), "Nebuchadnezzars golden image is said indeed in Scripture to have been sixty cubits, that is, ninety feet high; but this must be understood of the image and pedestal both together, for that image being said to be but six cubits broad or thick, it is impossible that the image would have been sixty cubits high; for that makes its height to be ten times its breadth or thickness, which exceeds all the proportions of a man, no man's height being above six times his thickness, measuring the slenderest man living at the waist. But where the breadth of this image was measured is not said; perchance it was from shoulder to shoulder; and then the proportion of six cubits breadth will bring down the height exactly to the measure which Diodorus has mentioned; for the usual height of a man being four and a half of his breadth between the shoulders, if the image were six cubits broad between the shoulders, it must, according to this proportion, have been twenty-seven cubits high, which is forty and a half feet." The statue itself, therefore, according to Prideaux, was forty feet high; the pedestal fifty feet. But this, says Taylor, the editor of Calmet, is a disproportion of parts which, if not absolutely impossible, is utterly contradictory to every principle of art, even of the rudest sort. To meet the difficulty, Taylor himself supposes that the height referred to in the description was rather "proportional" than "actual" height; that is, if it had stood upright it would have been sixty cubits, though the actual elevation in a sitting posture may have been but little more than thirty cubits, or fifty feet. The breadth, he supposes, was rather the depth or thickness measured from the breast to the back, than the breadth measured from shoulder to shoulder. His argument and illustration may be seen in Calmet, vol. iii. Frag. 156. It is not absolutely certain, however, that the image was in a sitting posture, and the "natural" constructsion of the passage is, that the statue was actually sixty cubits in height. No one can doubt that an image of that height could be erected; and when we remember the one at Rhodes, which was 105 Grecian feet in height (see art. "Colossus," in Anthon's "Class. Dict."), and the desire of Nebuchadnezzar to adorn his capital in the most magnificent manner, it is not to be regarded as improbable that an image of this height was erected. What was the height of the pedestal, if it stood on any, as it probably did, it is impossible now to tell. The length of the "cubit" was not the same in every place. The length originally was the distance between the elbow and the extremity of the middle finger, about eighteen inches. The Hebrew cubit, according to Bishop Cumberland and M. Pelletier, was twenty-one inches; but others fix it at eighteen. - Calmet. The Talmudists say that the Hebrew cubit was larger by one quarter than the Roman. Herodotus says that the cubit in Babylon was three fingers longer than the usual one. - Clio, 178. Still, there is not absolute certainty on that subject. The usual and probable measurement of the cubit would make the image in Babylon about ninety feet high. And the breadth thereof six cubits - About nine feet. This would, of course, make the height ten times the breadth, which Prideaux says is entirely contrary to the usual proportions of a man. It is not known on what "part" of the image this measurement was made, or whether it was the thickness from the breast to the back, or the width from shoulder to shoulder. If the "thickness" of the image here is referred to by the word "breadth," the proportion would be well preserved. "The thickness of a well-proportioned man," says Scheuchzer (Knupfer Bibel, in loc.), "measured from the breast to the back is one-tenth of his height." This was understood to be the proportion by Augustine, Civi. Dei, 1. xv. c. 26. The word which is here rendered "breadth" (פתי pethay) occurs nowhere else in the Chaldean of the Scriptures, except in Ezra 6:3 : "Let the house be builded, the height thereof threescore cubits, and the "breadth" thereof threescore cubits." Perhaps this refers rather to the "depth" of the temple from front to rear, as Taylor has remarked, than to the breadth from one side to another. If it does, it would correspond with the measurement of Solomon's temple, and it is not probable that Cyrus would vary from that plan in his instructions to build a new temple. If that be the true construction, then the meaning here may be, as remarked above, that the image was of that "thickness," and the breadth from shoulder to shoulder may not be referred to. He set it up in the plain of Dura - It would seem from this that it was set up in an open plain, and not in a temple; perhaps not near a temple. It was not unusual to erect images in this manner, as the colossal figure at Rhodes shows. Where this plain was, it is of course impossible now to determine. The Greek translation of the word is Δεειρᾷ Deeira - "Deeira." Jerome says that the translation of Theodotion is "Deira;" of Symmachus, Doraum; and of the Septuagint. περίβολον peribolon - which he says may be rendered "vivarium vel conclusum locum." "Interpreters commonly," says Gesenius, "compare Dura, a city mentioned by Ammian. Marcel. 25. 6, situated on the Tigris; and another of like name in Polyb. 5, 48, on the Euphrates, near the mouth of the Chaboras." It is not necessary to suppose that this was in the "city" of Babylon; and, indeed, it is probable that it was not, as the "province of Babylon" doubtless embraced more than the city, and an extensive plain seems to have been selected, perhaps near the city, as a place where the monument would be more conspicuous, and where larger numbers could convene for the homage which was proposed to be shown to it. In the province of Babylon - One of the provinces, or departments, embracing the capital, into which the empire was divided, Daniel 2:48 .