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Exodus 15:1–15:21

The Song of MosesTheme: Praise / RedemptionPericopeImportance: Significant
Sources
Reformed ConsensusReformation Study BibleCalvin (1560)Geneva Bible Notes (1599)John Trapp (1647)John Gill (1748)Matthew Henry (1714)Jamieson-Fausset-BrownBarnes (1832)Cross-References (TSK)
Reformed Consensus
The Song of the Sea stands as Israel's first great doxology of redemption, in which Moses and the congregation celebrate not merely a military deliverance but the sovereign, warring power of Yahweh himself — a point Calvin stresses when he notes that the glory here ascribed to God admits no competition, for the rhetorical question "Who is like you among the gods?" (v. 11) is a confession that all creaturely power dissolves before the incomparable majesty of the living God. Matthew Henry observes that the song is structured to move the heart from what God *did* to what God *is*, so that gratitude becomes adoration and historical event becomes theological confession. Reformed interpreters have long recognized the typological depth of this passage: the triumph over Pharaoh and his hosts at the sea is a shadow of Christ's decisive defeat of sin, death, and the devil, the true enemies of the true Israel, so that the Christian sings this song now with a fuller understanding of the redemption it figures. The participation of Miriam and the women in antiphonal response (vv. 20–21) illustrates the corporate, liturgical character of covenant worship, reminding us that redemption is never merely private but draws the whole people of God into one voice of praise. In this way the passage anchors Israel's — and the church's — identity in grace already accomplished, kindling both confident trust in God's future faithfulness and the duty of public, Spirit-wrought doxology.
Reformation Study Bible
Moses and Israel sing of deliverance and hope. The poem of wv. 1-18, unique in the Old Testament, is a victory song expressed in the first person singular as a song of Moses. It celebrates the Lord’s majestic power in saving Israel at the sea (vv. 1-12) and claims His power in plant- ing Israel in the land (vv. 13-18). The song's many archaic expressions point to its origin in.the Mosaic period. | | will sing. The Lord has shown His glory as He promised, and it is the privilege of His people, led by His servant Moses, to praise the God of their salvation. This Song of Moses becomes Israel's song as well. It is echoed elsewhere in the Old Testament (Ps. 118:14; Is. 12:2), and is sung by the saints in Rev. 15:3. | The theme of Yahweh as the Divine Warrior is emphasized. See Is, 59:16-18. | floods. The chaotic waters of the deep, ordered by God at creation (Gen. 1:2), are unleashed by God on the enemy. | Your right hand. A symbol of power. In Canaanite art the god Baal was sometimes depicted with mace upheld in the right hand. Here, the symbol of divine power was the outstretched hand of Moses holding the tod of the Lord, | floods stood up. Through the threatening waters of death God brought His people to Himself. The waters were an instrument of judg- ment for Egypt, and a means of deliverance for Israel. Paul, with some support from Jewish tradition, understood the Red Sea crossing as Israel's “baptism” (1 Cor. 10:2; cf. 1 Pet. 3:21 note), 15:91...1...1... 1. The staccato repetition of these first person claims reveals an arrogance that is soon silenced. | Who is like you. The comparison is rhetorical in this threefold presentation of God's nature and power. | earth swallowed them, An expression for their reception into the underworld, thought to be the abode of the dead (Ps. 63:9; 71:20) | steadfast love. This translates the Hebrew word hesed, the precise sense of which is difficult to render in English. Here it refers to God's loy- alty and devotion to His people, a loyalty created by the bond of God's covenant with His people. Though we might expect it to be used for the devotion of God’s people to Him, its overwhelming use is as a description of God's devotion to His people. Since God reveals Himself in devotion to His own, there is no stronger term to express the free and faithful grace of His love (34:6, “abounding in steadfast love”; Ps. 136, “his steadfast love endures forever”). God's abiding covenant love and mercy find particular illustration in the Book of Hosea (Hos. 2:19). | tremble. The extraordinary, divinely induced fear of the inhabi- tants of Canaan is here depicted (Deut. 2:25 note). The peoples are men- tioned in the approximate order they were encountered by Israel during the journey to the Promised Land. | A brief summary of the aims of the Exodus. The purpose was the settlement of Israel as God’s special people in the Promised Land, the sanctuary of God’s dwelling. your own mountain. The point of contact between heaven and earth will be here. Deities in the ancient world were thought to inhabit mountains, and Israel took over this concept poetically. Here the whole of Palestine is viewed as the place of revelation (Deut. 3:25; Ps. 78:54; Is. 11:9). sanctuary. The land would become such by God's indwelling presence, reminding readers that the goal of the Exodus was the worship of God in the land. Apart from God's gracious presence, there was no point in going to the land (33:15). | The Loro will reign. There are at least two other references to God's kingship in the Pentateuch (Num. 23:21; Deut. 33:5). The concept of divine covenant with Israel involved a recognition of God's kingship (1 Sam. 8:6-9).
Calvin (1560)
Exodus 15:1-10 1. Then sang Moses and the children of Israel this song unto the Lord, and spoke, saying, I will sing unto the Lord, for he hath triumphed gloriously: the horse and his rider hath he thrown into the sea. 1. Tunc cecinit Moses et filii Israel canticum hoc Jehovae, et dixerunt, Cantabo Jehovae, quoniam se magninifice extulit (Heb., magnificando magnificatus est): equum et ascensorem ejus projecit in mare. 2. The Lord is my strength and song, and he is become my salvation: he is my God, and I will prepare him an habitation; my father's God, and I will exalt him. 2. Fortitudo mea et canticum Deus, et fuit mihi in solutem. Hic Deus meus et decorabo eum: Deus patris mei, et extollam eum. 3. The Lord is a man of war: the Lord is his name. 3. Jehova vir bellicosus: Jehova nomen ejus. 4. Pharaoh's chariots and his host hath he east into the sea: his chosen captains also are drowned in the Red sea. 4. Currus Pharaonis et exereitum ejus projecit in mare: et electi duces ejus demersi sunt in mari Suph. 5. The depths have covered them: they sank into the bottom as a stone. 5. Abyssi operuerunt eos: descenderunt in profunda, quasi lapis. 6. Thy right hand, O Lord, is become glorious in power: thy right hand, O Lord, hath dashed in pieces the enemy. 6. Dextera tua Jehova excelluit fortitudine, dextera tua Jehova fregit inimicum. 7. And in the greatness of thine excellency thou hast overthrown them that rose up against thee: thou sentest forth thy wrath, which consumed them as stubble. 7. Et in magnitudine magnificentiae tuae subvertisti insurgentes contra te. Misisti furorem, consumpsit eos quasi stipulam. 8. And with the blast of thy nostrils the waters were gathered together, the foods stood upright as an heap, and the depths were congealed in the heart of the sea. 8. Et per fiatum narium tuarum coacervatae sunt aquae, steterunt fluenta sicuti acervus: coagulatae sunt voragines in corde maris. 9. The enemy said, I will pursue, I will overtake, I will divide the spoil; my lust shall be satisfied upon them: I will draw my sword, my hand shall destroy them. 9. Dixerat hostis, Persequar, apprehendam, dividam spolia, implebitur illis anima mea, exseram gladium, perdet eos manus mea. 10. Thou didst blow with thy wind, the sea covered them: they sank as lead in the mighty waters. 10. Flavisti vento tuo, operuit cos mare, demersi sunt quasi plumbum in aquis validis. 1. Then sang Moses. Moses introduced this song not only in testimony of his gratitude, but also in confirmation of the history; for the song which he dictated to the Israelites was not concerning an unknown event, but he brought them forward as eye-witnesses, that all ages might know that nothing thus far had been written which had not openly been declared by 600,000 men, besides their wives and children. Moses, therefore, set the example in accordance with his office, whilst the people, by singing with him, testified their approbation in a manner which admits of no contradiction. For' to whom could they have lied, since they were each other's witnesses, and the song was listened to by no strangers? Moses seems to mark their confidence by the repetition in the Hebrew, they "spoke, saying." On this account, too, their confession, pronounced by all their mouths, deserves more credit, because the greater part of them soon after yielded to ingratitude: from whence we gather that it was only on compulsion that they gave God glory. But, although Moses was the author of the song, yet he does not say "I will sing" in his own person, but prescribes to all what each individual ought heartily to do. 2. The Lord is my strength. In this expression they acknowledge that they have a sufficient defense in God; and afterwards they add, that His grace furnishes them with just ground for praise. The sum is, that they were strong in God, and had not conquered their enemies by their own bravery; and that, therefore, it is not lawful to glory save in God alone. But we must observe that the help of God is conjoined with His praise, because this is the end of all His benefits, that we should hold our salvation as received from Him, which is here mentioned in the third place, for to say that God had "become their salvation," was as much as to say that the people were saved by His grace. In the second clause there is an antithesis between the true God and all false ones; for there is much emphasis in the declaration, "he is my God," as by it Moses excludes all that multitude of gods which then were everywhere worshipped in the world. To the same effect he adds, "my father's God," thus distinguishing the faith of Abraham from all the superstitions of the Gentiles. The faithful then declare that it is safe for them to repose in this One God, and that His praises are worthy of celebration. Isaiah imitates this figure. Isaiah 25:9 , "Lo, this is our God; we have waited for him, and he will save us: this is the Lord; we have waited for him." What follows in the next verse -- "The Lord is a man of war," is to the same purpose, for although at first sight the phrase may seem a harsh one, still it is not without beauty: that God is armed in military attire, to contend with all the forces of His foes. Therefore, says Moses, the name of the Lord belongs to Him alone, because His hand awaits to destroy whatever lifts itself up against Him. 4. Pharaoh's chariots. Moses in these words only meant to assert, that the drowning of Pharaoh was manifestly God's work. Therefore, he now illustrates in more glowing terms the transaction which he had before simply narrated; as also when he compares the Egyptians to stones and lead, as if he had said that they were hurled by God's mighty hand into the deep, so that they had no power to swim out. On this score, he repeats twice the mention of God's "right hand;" as much as to say that such a miracle could not be ascribed either to fortune or to the efforts of man. We must take notice of what he soon after says, that the Egyptians "rose up against" God; because they had treated His people with injustice and cruelty. Thence we gather, that God's majesty is violated by the wicked, whenever His Church, whose safety He has undertaken to preserve by His faithful patronage, is assailed by them. "Thou sentest forth thy wrath," and "with the blast of thy nostrils the waters were gathered together," are to be read in conjunction; for their meaning is that God, without any instrumentality, but by His simple volition, and in manifestation of His wrath, had brought the enemy to. destruction. 9. The enemy said. He relates the boast of Pharaoh not merely in exultation over him, but to magnify the miracle, whereby God gives over to destruction this wolf intent upon his prey. But there is more force in the language when he introduces the Egyptians as speakers, than as if he had described their plans; for thus does the marvelous catastrophe more strikingly affect our minds, when the Egyptians, brought as it were on the stage, not only trumpet forth their victory, but insolently give vent to their arrogance and cruelty. But, presently, the Lord is introduced on the other side, dissipating by a single blast their terrible audacity. For whence came this great confidence to the Egyptians, promising themselves that they should be satisfied with the spoils, and that they should have nothing more to do in order to put the people to death than to draw their swords, but from the fact of their being very well armed against this unwarlike multitude? Hence, then, God's power shone forth more brightly, when He put them out of the way by "blowing with His wind."
Geneva Bible Notes (1599)
Then {a} sang Moses and the children of Israel this song unto the LORD, and spake, saying, I will sing unto the LORD, for he hath triumphed gloriously: the horse and his rider hath he thrown into the sea. (a) Praising God for the overthrow of his enemies, and their deliverance.
John Trapp (1647)
Then sang Moses and the children of Israel this song unto the LORD, and spake, saying, I will sing unto the LORD, for he hath triumphed gloriously: the horse and his rider hath he thrown into the sea. Then sang Moses. — Presently upon the deliverance, while their hearts were hot, and the mercy fresh. No part of the thank offering might be kept unspent till the third day. Benefits soon grow stale, and putrify, as fish.
John Gill (1748)
Then sang Moses and the children of Israel this song unto the Lord,.... Which is the first song recorded in Scripture, though no doubt before this time songs of praise were sung to the Lord; the people of God having occasion in all ages more or less to sing his praises. The Jews (n) speak of ten songs, the first of which was sung by Adam, when his sins were forgiven him, and this song of Moses is the second; though sometimes they say (o), from the creation of the world to the standing of Israel by the Red sea, we do not find that ever any man sung a song but Israel; God created the first man, but he sang no song: however, this is the first on record, and is a typical one; Moses the composer of it, and who bore a principal part in it, and was the deliverer of the people of Israel, was a type of Christ, the Redeemer of his church: and Israel that joined with him in it, and were the persons delivered, were typical of the spiritual Israel of God redeemed by Christ; and the deliverance here celebrated bore a great resemblance to the redemption wrought out by him; and Christ, the Angel of the Lord, that went before the Israelites through the Red sea, and fought for them, is the principal person concerned in it, and who is meant by the Lord throughout the whole of it, and to whom it is sung; and a song upon a similar occasion to this will be sung in the latter day, upon the destruction of spiritual Egypt, or antichrist, and is called the song of Moses and the Lamb in allusion to it, Revelation 15:3 The Jews (p) say, this shall be sung at the time, when the wicked shall perish out of the world, and observe that it is not written "then sung", but "then shall sing", &c. Moses had reason to sing, since God had heard his prayer, and had done him honour before the people, and he was both an instrument of and a sharer in the salvation wrought; and the children of Israel had reason to sing, inasmuch as they were a people chosen of God, and distinguished by him; were redeemed from bondage, called out of Egypt, and now saved out of the hands of their enemies, who were all destroyed, and they brought safely through the Red sea, and landed on firm ground. And the time when they sung this song was then, when they had passed through the sea on dry land; and when they had seen the Egyptians their enemies dead on the sea shore; and when they were in a proper frame of spirit to sing, when they had taken notice of and considered what great and wonderful things the Lord had done for them, and their minds were suitably impressed with a sense of them; when they were in the exercise of the graces of the fear of God, and faith in him, and which is necessary to the performance of all religious duties, and particularly this of singing the praises of God: and spake, saying, I will sing unto the Lord: that went before them in a pillar of cloud and fire; who had led them safely through the Red sea, and troubled and destroyed the host of the Egyptians; even the same Jehovah, who has undertook the salvation of his people, is become the author of it, and to whom the song of redeeming grace is due: for he hath triumphed gloriously; over Pharaoh and all the Egyptians, the enemies of Israel, as Christ has over sin, in the destruction of it by his sacrifice, and over Satan, and his principalities and powers, when he spoiled them on the cross, and over death the last enemy, and all others; over whom he has made his people more than conquerors, through himself: or, "in excelling he excels" (q); all the angels of heaven, in his name, and nature, relation, and office; and all the sons of men, even the greatest among them, being King of kings, and Lord of lords; in the wonderful things done by him, no such achievements having ever been wrought by any of them: or, "in magnifying, he is magnified" (r); appears to be what he is, great in his nature, perfections, and works; and to be magnified, or declared to be great, and extolled as such by all that know and fear him: the horse and his rider hath he thrown into the sea; the horses and horsemen of Pharaoh; and which is not amiss allegorically applied, by Tertullian (s), to the world and the devil; the world is the horse, and the rider the devil; that being under his power and direction, he being the god of it, and working effectually in it; spurring and exciting the men of it to every sinful lust and pleasure; and may be put for all the spiritual enemies of God's people, especially their sins; which are cast by the Lord into the midst of the sea, never to be seen and remembered any more, and which is to them matter of a song of praise and thanksgiving. (n) Targum in Cant. i. 1. (o) Shemot Rabba, sect. 23. fol. 107. 3.((p) Tikkune Zohar, correct. 10. fol. 20. 2.((q) "excellendo excelluit", Piscator. (r) "Magnificando magnificatus est", Pagninus, Montanus, Vatablus. (s) Contr. Marcion, l. 4. c. 20.
Matthew Henry (1714)
This song is the most ancient we know of. It is a holy song, to the honour of God, to exalt his name, and celebrate his praise, and his only, not in the least to magnify any man. Holiness to the Lord is in every part of it. It may be considered as typical, and prophetical of the final destruction of the enemies of the church. Happy the people whose God is the Lord. They have work to do, temptations to grapple with, and afflictions to bear, and are weak in themselves; but his grace is their strength. They are often in sorrow, but in him they have comfort; he is their song. Sin, and death, and hell threaten them, but he is, and will be their salvation. The Lord is a God of almighty power, and woe to those that strive with their Maker! He is a God of matchless perfection; he is glorious in holiness; his holiness is his glory. His holiness appears in the hatred of sin, and his wrath against obstinate sinners. It appears in the deliverance of Israel, and his faithfulness to his own promise. He is fearful in praises; that which is matter of praise to the servants of God, is very dreadful to his enemies. He is doing wonders, things out of the common course of nature; wondrous to those in whose favour they are wrought, who are so unworthy, that they had no reason to expect them. There were wonders of power and wonders of grace; in both, God was to be humbly adored.
Jamieson-Fausset-Brown
CHAPTER 15 Ex 15:1-27. Song of Moses. 1. Then sang Moses and the children of Israel—The scene of this thanksgiving song is supposed to have been at the landing place on the eastern shore of the Red Sea, at Ayoun Musa, "the fountains of Moses." They are situated somewhat farther northward along the shore than the opposite point from which the Israelites set out. But the line of the people would be extended during the passage, and one extremity of it would reach as far north as these fountains, which would supply them with water on landing. The time when it was sung is supposed to have been the morning after the passage. This song is, by some hundred years, the oldest poem in the world. There is a sublimity and beauty in the language that is unexampled. But its unrivalled superiority arises not solely from the splendor of the diction. Its poetical excellencies have often drawn forth the admiration of the best judges, while the character of the event commemorated, and its being prompted by divine inspiration, contribute to give it an interest and sublimity peculiar to itself. I will sing unto the Lord, for he hath triumphed gloriously—Considering the state of servitude in which they had been born and bred, and the rude features of character which their subsequent history often displays, it cannot be supposed that the children of Israel generally were qualified to commit to memory or to appreciate the beauties of this inimitable song. But they might perfectly understand its pervading strain of sentiment; and, with the view of suitably improving the occasion, it was thought necessary that all, old and young, should join their united voices in the rehearsal of its words. As every individual had cause, so every individual gave utterance to his feelings of gratitude.Moses and the people praise the Lord, Exodus 15:1-21 . They want water, Exodus 15:22 . The waters of Marah are bitter, Exodus 15:23 . The people murmur against Moses, Exodus 15:24 . He crieth unto the Lord; the waters are sweetened, Exodus 15:25 . They come to Elim, where they find twelve wells of water, and threescore and ten palm trees, Exodus 15:27 . Moses composed the song, and he, together with the Israelites, sung it, unto the honour and praise of God.
Barnes (1832)
With the deliverance of Israel is associated the development of the national poetry, which finds its first and perfect expression in this magnificent hymn. It was sung by Moses and the people, an expression which evidently points to him as the author. That it was written at the time is an assertion expressly made in the text, and it is supported by the strongest internal evidence. In every age this song gave the tone to the poetry of Israel; especially at great critical epochs of deliverance: and in the book of Revelation Exo 15:3 it is associated with the final triumph of the Church. The division of the song into three parts is distinctly marked: Exodus 15:1-5 ; Exodus 15:6-10 ; Exodus 15:11-18 : each begins with an ascription of praise to God; each increases in length and varied imagery unto the triumphant close. Exodus 15:1 He hath triumphed gloriously - Literally, He is gloriously glorious. The horse and his rider - The word "rider" may include horseman, but applies properly to the charioteer.
Cross-References (TSK)
Exodus 14:31; Exodus 15:2; Judges 5:1; 2Samuel 22:1; Psalms 106:12; Psalms 107:8; Isaiah 12:1; Isaiah 51:10; Revelation 15:3; Exodus 15:21; Exodus 14:17; Exodus 18:11; Colossians 2:15; Exodus 15:1; Exodus 15:22; Exodus 15:23; Exodus 15:24; Exodus 15:25; Exodus 15:27; Exodus 14:29; Ephesians 5:27; Exodus 14:18; Exodus 11:3; Genesis 49:17; Revelation 20:2; Exodus 14:10; Exodus 14:30; Revelation 20:15; Revelation 5:5; Exodus 15:19; Exodus 15:4; Exodus 15:7